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Culture, Democracy and the Right to Make Art: The British Community Arts Movement
Contents\\\\r\\\\n\\\\r\\\\nList of Figures ix\\\\r\\\\nContributors x\\\\r\\\\nAcknowledgements xiv\\\\r\\\\n1 Introduction Alison Jeffers 1\\\\r\\\\nPart One The Community Arts Movement: Experimentation\\\\r\\\\nand Growth\\\\r\\\\n2 The Community Arts Movement 1968–1986 Alison Jeffers 35\\\\r\\\\n3 Community Arts – a Forty-Year Apprenticeship: A View\\\\r\\\\nfrom England Gerri Moriarty 65\\\\r\\\\n4 Craigmillar Festival, the Scottish Community Arts\\\\r\\\\nMovement of the 1970s and 1980s and its Impact: A View\\\\r\\\\nfrom Scotland Andrew Crummy 83\\\\r\\\\n5 The Pioneers and the Welsh Community Arts Movement:\\\\r\\\\nA View from Wales Nick Clements 99\\\\r\\\\n6 Grown from Shattered Glass: A View from Northern\\\\r\\\\nIreland Gerri Moriarty 115\\\\r\\\\nPart Two Cultural Democracy: Practices and Politics\\\\r\\\\n7 Then and Now: Reflections on the Influence of the\\\\r\\\\nCommunity Arts Movement on Contemporary Community\\\\r\\\\nand Participatory Arts Alison Jeffers 133\\\\r\\\\n8 Memories, Dreams, Reflections: Community Arts as\\\\r\\\\nCultural Policy – the 1970s Oliver Bennett 161\\\\r\\\\n9 From Handbooks to Live Labs: The Impact of Ideas from\\\\r\\\\nthe 1970s and 1980s on the Training and Education of\\\\r\\\\nCommunity Artists Today Janet Hetherington and\\\\r\\\\nMark Webster 183\\\\r\\\\n10 From Community Arts to the Socially Engaged Art\\\\r\\\\nCommission Sophie Hope 203\\\\r\\\\n11 Cultural Democracy: Developing Technologies and\\\\r\\\\nDividuality Owen Kelly 223\\\\r\\\\n12 Conclusion: Opening a New Space for Cultural\\\\r\\\\nPolitics Alison Jeffers and Gerri Moriarty 241\\\\r\\\\nIndex 255
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