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Exhibiting Cinema in Contemporary Art
Acknowledgements 7\\\\r\\\\n\\\\r\\\\nIntroduction - The Othered Cinema 9\\\\r\\\\n\\\\r\\\\nChapter 1 - Architectures of Exhibition 27\\\\r\\\\n\\\\r\\\\nThe Passages of Cinema 32\\\\r\\\\nProjection and Patrimony 34\\\\r\\\\nBlack Box/White Cube 39\\\\r\\\\nThe New Blockbusters 43\\\\r\\\\nThe Myth of Activity 50\\\\r\\\\nMedia at MoMA 55\\\\r\\\\n\\\\r\\\\nChapter 2 - Filmic Ruins 65\\\\r\\\\n\\\\r\\\\nPost-medium Post-mortem 70\\\\r\\\\nIndexing the Past 75\\\\r\\\\nA Little History of 16mm 82\\\\r\\\\nRuinophilia 91\\\\r\\\\nAnalogue Aura 101\\\\r\\\\n\\\\r\\\\nChapter 3-The Remake: Old Movies, New Narratives 107\\\\r\\\\n\\\\r\\\\nAmbivalent Appropriations 113\\\\r\\\\nThe Four Operations 116\\\\r\\\\nPrecursors 121\\\\r\\\\nThe False Promises of the \\\\\\\"Utopia of Use\\\\\\\" 124\\\\r\\\\nRemaking Fandom 128\\\\r\\\\n\\\\\\\"Room-for-Play\\\\\\\" 133\\\\r\\\\nVCR Memories 137\\\\r\\\\n\\\\r\\\\nChapter 4 - The Fiction of Truth and the Truth of Fiction 149\\\\r\\\\n\\\\r\\\\nAnti-anti-illusionism 157\\\\r\\\\nHybrid Forms 158\\\\r\\\\nRehabilitating Narrative 160\\\\r\\\\nA Return of the Real 167\\\\r\\\\nTwo Images of Death 175\\\\r\\\\n\\\\r\\\\nConclusion - \\\\\\\"Cinema and...\\\\\\\" 185\\\\r\\\\nNotes 191\\\\r\\\\nBibliography 227\\\\r\\\\nIllustration Credits 241\\\\r\\\\nIndex 245
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